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The City’s Free, But Watching It Will Cost You

By Adam Leipzig on August 5, 2010 inFilmTech

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The most illegally-downloaded movie for the past two weeks was not Inception, nor was it an early copy of The Expendables. Instead, it was Sex and the City 2, according to TorrentFreak. Which leads to some puzzling questions. Are BitTorrent users still geeky young men, just poorly-informed geeky young men, men who see Sex in a title and download it before they realize that the average age of the City women is 47? Or has the demographic of BitTorrent’s hackers and outlaw-downloaders become older and more female? And if women over 35 are grabbing illegal downloads of Carrie Preston’s adventures, would they want the world to know?

Like anything involving sex, it teases the connection between guilty and pleasure.

One notable scene in Sex and the City 2 has Samantha in the Dubai souk. Samantha’s designer bag comes open and spills a ton of condoms on the ground; she makes a speech about being a sexually liberated woman and mocks traditional Muslim female garb. The scene caused a stir, and was denounced as anti-Arab.

When the movie was in theatres, I emailed a friend of mine who works in the United Arab Emirates to ask what the reaction was there, but my friend never emailed me back. Maybe the email was blocked because it had the word Sex in the title. That’s certainly a possibility. The UAE government blocks some internet traffic, and this week the UAE announced it would stop BlackBerry email service in October because the government can’t read the emails sent or received. Yet while the UAE is at a crossroads between tradition and the contemporary world, their BlackBerry directive received special media attention because Westerners view it as an authoritarian, Closed Society.

I predict BlackBerry/RIM will accommodate, and will give the UAE government some access. After all, here in the US, our emails are open to government eyes too. We may live in an Open Society, where websites aren’t blocked and we can look anywhere and download anything, an Open Society means that what we do is public and transparent. Our email and text messages are stored by the companies that carry them. Every website we visit is stored by our Internet providers. (Yes, friends, every porn site you’ve ever been to.) Every movie we download, illegally or not, is tracked. All of this information can be accessed with a court order, and under the Patriot Act court orders may be secret. We cannot really know what our government authorities are looking at.

In a world where everything is freely accessible, what we do and who we do it with, what we watch and listen to and what we say, can all be public. We don’t have the private secrecy of intellectual exploration. You may not think this matters, but I assure you that in Closed Societies, the privacy to investigate ideas and explore content on one’s own is prized beyond compare.

BitTorrent, the site from which Sex and the City 2 is being downloaded, has been around since 2004, and was a harbinger of the future, a future when all content would reside somewhere and be easy to get. That time is now, and that somewhere is called the Cloud. Of course, content owners don’t want consumers pulling files down for free. And so with some fanfare most of the movie studios have announced a partnership to form Ultraviolet, an industry standard for Cloud downloads. You can think of Ultraviolet as a locker with a key. You’ll have a locker in the Cloud, and you’ll pay to put content in it – content like music and movies. Then you can use your Ultraviolet Key from any device, from your TV or laptop or iPod or phone, and download the content you’ve paid for.

Ultraviolet will be good for the entertainment industry, and easy downloading will probably be its driving economic engine for the next seven years. By agreeing on Ultraviolet, the studios avoid the consumer confusion that would have been caused by different standards, as happened in the HD-DVD v. Blu-ray battles. And Cloud computing has immense, and positive, implications for all sectors of our economy and business, as Cisco described in a recent, smart white paper.

Many of the people who use BitTorrent use freely distributed, sophisticated techniques to conceal their identities, and some of them are pretty effective. But as we float in the Cloud using Ultraviolet Keys, there’s no protection for our privacy of curiosity and thought. Not even all the condoms in Samantha’s designer bag could do that.

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About the author

Adam Leipzig

Adam Leipzig

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Adam Leipzig is the founder and CEO of MediaU, online career acceleration. MediaU opens the doors of access for content creation, filmmaking and television. Adam, Cultural Weekly’s founder and publisher, has worked with more than 10,000 creatives in film, theatre, television, music, dance, poetry, literature, performance, photography, and design. He has been a producer, distributor or supervising executive on more than 30 films that have disrupted expectations, including A Plastic Ocean, March of the Penguins, Honey, I Shrunk the Kids, Dead Poets Society, Titus and A Plastic Ocean. His movies have won or been nominated for 10 Academy Awards, 11 BAFTA Awards, 2 Golden Globes, 2 Emmys, 2 Directors Guild Awards, 4 Sundance Awards and 4 Independent Spirit Awards. Adam teaches at UC Berkeley's Haas School of Business. Adam began his career in theatre; he was the first professional dramaturg in the United States outside of New York City, and he was one of the founders of the Los Angeles Theatre Center, where he produced more than 300 plays, music, dance, and other events. Adam is CEO of Entertainment Media Partners, a company that navigates creative entrepreneurs through the Hollywood system and beyond, and a keynote speaker. Adam is the former president of National Geographic Films and senior Walt Disney Studios executive. He has also served in senior capacities at CreativeFuture, a non-profit organization that advocates for the creative community. Adam is is the author of ‘Inside Track for Independent Filmmakers ’ and co-author of the all-in-one resource for college students and emerging filmmakers 'Filmmaking in Action: Your Guide to the Skills and Craft' (Macmillan). (Photo by Jordan Ancel)

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