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ScreenDance Diaries

Dominique Palombo:
N’arrete pas!

By Sarah Elgart on February 19, 2014 in Architecture, Art, Dance, Film, Music, TV + Web

3

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Dominique Palombo has been making beautiful dance films, largely under the radar, for years. He has a particular eye for finding talent, shooting on days with perfectly overcast skies, and finding visually compelling locations … usually in Paris where he lives. And even though he works with amazing choreographers and dancers, ultimately he is as much a choreographer as a filmmaker himself. He chooses a site, lets the dancers improvise, frequently finds the music for a particular film after shooting, then edits with an amazing feel for embellishing movement and phrases with varying speeds of motion and musicality. Most of his films are shot frontally with a locked down camera and the majority of movement coming from framing, editing, and the subjects themselves within the dance proper.

John Degois doesn't stop in Dominique Palombo's gem of a dance short

John Degois doesn’t stop in Dominique Palombo’s gem of a dance short

This is much the case with “N’arrete Pas,” featuring the humorous and talented dancer and choreographer John Degois. In this gem of a short created with assistance from his partner Gaelle Henry (an amazing dancer herself), we see Palombo’s astute eye for composition, especially in relation to site and subject. Degois clearly sees with a similar eye, judging from how he responds to each location’s particular idiosyncrasies within his dance. I love how in this piece — as is the case with many of his shorts featuring exemplary street dancers — the line between walking and dancing is beautifully thin, as if to remind us that life should always have dance just within reach. Dominique Palombo’s feel for music, movement, editing and the camera, make each film a particular treat. Enjoy.

 

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TagschoreographydanceDominique PalomboJohn Degoisvideo

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About the author

Sarah Elgart

Sarah Elgart

Founder/Director of Dare to Dance in Public Film Festival, Sarah Elgart is a Los Angeles based choreographer and director working under the auspice of Sarah Elgart | Arrogant Elbow. Sarah creates original content for stage, screen, and site-specific venues. Her stage and site-works have been performed at alternative spaces including LAX Airport, The Skirball Center, Mark Taper Forum, Van Nuys Flyaway, The Bradbury Building, Jacob’s Pillow, INSITU Site-Specific Festival NY, and Loft Seven, where she created a rooftop work lit entirely by a hovering helicopter accompanied by Nels Cline (Wilco). Her work has been produced by venues including The Music Center, MASS MoCA, Dance Place, Los Angeles Theater Center, Mark Taper Forum and The International Women’s Theater Festival. In film Sarah has worked with noted directors including JJ Abrams, David Lynch, Catherine Hardwicke, and Anton Corbijn. Her own films include award-winning music videos, dance shorts, and an Emmy nominated PSA, and continue to be accepted into festivals internationally. In addition to teaching dance and film, Sarah writes a regular column, ScreenDance Diaries that focuses on the intersections of both genres internationally for online magazine Cultural Weekly. Sarah’s work has received support from organizations that include the Rockefeller Foundation, the NEA, City of Los Angeles Cultural Affairs Department, California Arts Council and more. She is an alumna of the Sundance Institute’s Dance Film Lab, a Fellow of AFI’s Directing Women’s Workshop, and a director member of the DGA.

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