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ScreenDance Diaries

Gaelle Henry: Seeing Red

By Sarah Elgart on May 7, 2014 in Architecture, Dance, Film, TV + Web

4

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A red dress, a breeze, a Paris rooftop against a cloudy sky, and the absolutely beautiful dance of Gaelle Henry, are the ingredients for Seeing Red, one of my all time favorites by director Dominique Palombo.

As previously mentioned when I featured N’Arrete Pas! – another of Palombo’s dance shorts – with his eye for location, framing, editing that transforms the actual movement, and the relationship of the latter to music mostly found post shoot, he is almost as much a choreographer as a director.

Gaelle Henry creates a moment

Gaelle Henry creates a moment in Seeing Red

I love how the shape and expression of Gaelle’s improvised movement is so beautifully instinctive and unpretentious, the red dress standing out in relief against the overcast sky, and the silhouetted rooftop detail, so moody and iconic… It all makes me want to jump on the next plane to Paris. The simple elegance of the shots – without moving cameras or fancy angles – once again reinforces (at least for me) the power of great dance and its intersection with film to capture a mood, illuminate a place, create a moment in time, and hold a viewer in rapture. Enjoy.

 

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Tagschoreographydancedance videoDominique PalomboGaelle HenrymusicN’Arrete Pas!Paris

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About the author

Sarah Elgart

Founder/Director of Dare to Dance in Public Film Festival, Sarah Elgart is a Los Angeles based choreographer and director working under the auspice of Sarah Elgart | Arrogant Elbow. Sarah creates original content for stage, screen, and site-specific venues. Her stage and site-works have been performed at alternative spaces including LAX Airport, The Skirball Center, Mark Taper Forum, Van Nuys Flyaway, The Bradbury Building, Jacob’s Pillow, INSITU Site-Specific Festival NY, and Loft Seven, where she created a rooftop work lit entirely by a hovering helicopter accompanied by Nels Cline (Wilco). Her work has been produced by venues including The Music Center, MASS MoCA, Dance Place, Los Angeles Theater Center, Mark Taper Forum and The International Women’s Theater Festival. In film Sarah has worked with noted directors including JJ Abrams, David Lynch, Catherine Hardwicke, and Anton Corbijn. Her own films include award-winning music videos, dance shorts, and an Emmy nominated PSA, and continue to be accepted into festivals internationally. In addition to teaching dance and film, Sarah writes a regular column, ScreenDance Diaries that focuses on the intersections of both genres internationally for online magazine Cultural Weekly. Sarah’s work has received support from organizations that include the Rockefeller Foundation, the NEA, City of Los Angeles Cultural Affairs Department, California Arts Council and more. She is an alumna of the Sundance Institute’s Dance Film Lab, a Fellow of AFI’s Directing Women’s Workshop, and a director member of the DGA.

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