SYLVIE DRAKE is a tri-lingual translator, writer, and former theatre critic and columnist for the Los Angeles Times. She was born and grew up in Alexandria, Egypt, and worries that she may have traded one third-world country for another. Fingers crossed that she’s wrong, wrong, wrong.
Playwright Wendy Graf has taken on a sizzling subject in her one-woman play, All-American Girl, a contrapuntal title that gives you little idea of... Read more →
There may be no better place to see a summer show than under the stars at Topanga Canyon’s Theatricum Botanicum, on a stage constructed in the... Read more →
Given the timing, content and string of traumatizing recent events that have spooked and scarred the nation — especially its African American... Read more →
It may be an ancient story, but it is still one of the best, and Ron Sossi’s reimagined staging of Ellen McLaughlin’s adaptation of Sophocles’... Read more →
In his early short play, The Real Inspector Hound, Tom Stoppard satirized the role of the critic. It was self-satire since Stoppard, in his younger... Read more →
There was plenty of laughter at the opening night of Bad Jews at The Geffen Playhouse last week. A kind of willful determination to have a cracking... Read more →
There is a little cream puff of a play going on at International City Theatre (ICT) in Long Beach. It’s called The Heir Apparent and comes from... Read more →
The question mark in the headline is mine. Perhaps this title, minus the mark, refers to the human desire most of us have to leave “a permanent... Read more →
Two years ago — June 6, 2013, to be exact — I wrote a piece for Cultural Weekly about the importance of distinguishing what is organic and... Read more →
Arousing all senses. This may be the choice three-word assessment of the stunning Deaf West Theatre production of Spring Awakening that made the... Read more →
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