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A Grand Leap In Every Sense
I know as much about basketball as I do about astrophysics. Sports are not my thing. So what am I doing reviewing a play about basketball and its... Read more →
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Crazy Is As Crazy Gets
Between Riverside and Crazy is having its Los Angeles premiere at The Fountain Theatre in Hollywood, and also happens to be only the second play by... Read more →
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How We Let the Light Get In
Going to the theatre can be an act of faith, a search for meaning or simply a search for entertainment. It’s unusual to come across a play that... Read more →
Rigor As Fun & Feistiness
When you do the right thing as you see it, the dominant feeling is that you can't go wrong. So how do two Supreme Court Justices, who also happen to... Read more →
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Gem of the Ocean: Salvation and Memory
Written by three-time Pulitzer Prize-winner August Wilson in 2003, and now playing at A Noise Within (ANW) in Pasadena, Gem of the Ocean is a late... Read more →
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On Beckett: Language Meets Body
It’s unclear if many of the people attending Bill Irwin’s opening night at the Kirk Douglas Theatre in Culver City on September 18 had any... Read more →
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A Coen Poem Not
It doesn’t take an English lit background to get a mild kick out of the world premiere of Ethan Coen’s quintet of one-acters now on view at the... Read more →
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A Latin Lesson Late in Coming
It’s axiomatic: the better the performer, the more difficult it is to give him the respect he deserves. Body language often exceeds the verbal... Read more →
Dancing Rings Around Gertrude
Is it a play? Is it a dance? Is it a play dance will enhance? Or is it a playful pre-Seussical Stein-ussical meussical with fleeting meetings of... Read more →
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A Bewitching Pair of Period Plays
A play with as enticing a title as the one-word Witch is hard to pass up and this season opener in The Geffen Playhouse’s smaller space, with its... Read more →
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